Francesca Harper choreographs a site-specific dance work in response to Nick Cave’s expansive installation Until. Cave’s first Soundsuit, made out of twigs, was a direct response to the Rodney King beating, a visual image about social justice that was both brutal and empowering. Just as the violence around the Rodney King beating was the impetus to Cave’s early work, the death of men such as Eric Garner, Trayvon Martin, and Michael Brown drives his new imagery. For Cave’s MASS MoCA installation, Until — a play on the phrase “innocent until proven guilty,” or in this case “guilty until proven innocent” — he addresses issues of gun violence, gun control policy, race relations, and gender politics in America today.